FUTURISM
INTERNATIONAL
MODERN
ART
MOVEMENT.
The futurist movement emerged as a new Artistic style from Italy in the early 20th century
just before the break of World War I (1909).
the brain child of this new movement was an Italian poet 'Filippo Tomasso Marinetti'. On the 20th February 1909 he published the 'Manifesto of futurism" on the front page of a Parisian newspaper 'Le Figaro'.
The concept of Futurism, coined by Marinetti, reflected the emphasis on a revolution against traditional art of the past and celebrating change, originality, and innovation in culture and society. Marinetti's manifesto glorified and praised the new technology of the auto mobile and the beauty of speed, power, and movement. He embraced War, violence and conflict and disapproved of traditional cultural, social, and political values and the destruction of such cultural institutions as museums and libraries. Marinetti's manifesto's intent was a bold statment having an aggressive tone and provocative in nature was purposely intended to inspire public anger and amazement, to arouse controversy, and to attract widespread attention.
Futurist paintings
Luigi Russolo; 'Revolt' (1913)
This new manifesto lead to a change in Art and the artist, being painters, sculpture and architecture fields at the time focused on portraying this new technological ethos. The main aspect of their art was to capture the dynamic energy of movement and speed.
In the painting above we can see an example of a famous futurist artist work, Luigi Rossolo. In his work he portrays a crowd of people revolting. This can be interpreted as a literal description of the futurist ideology i.e. the social uprising against old social and cultural norm.
The painting is set in an urban environment which will be a common scenario and theme in other futurist works which in the above painting is identified by the buildings seen in the image.
Another crucial aspect of the painting above is how the artist divided the picture using sharp and angled diagonal lines which swoop through the image from right to left which conveys a very strong expression of abrupt dynamic movement, speed and energy. These lines convey our attention towards the gang of people portrayed in an stylised fashion which the artist placed in a spear head formation which evokes the notion of a charging unstoppable force.
The colours used in the painting serve as a sybols. the raging people are portrayed in a bold red which conveys power and danger contrasted with bold yellows and greens stripes of colour which compliments the dynamic energy of the crowd. on the other hand the urban scenario of buildings is given a dull and cold colour palette making use of dark blues , greens and dark tonalities which represent the already known social culture. The use of these contrasting colours of bold vibrant colours against dull and dark colours strengthens the overall subject of the futurist ideology against the past.
These characteristics are a common practice which were present in other futurist works and were regarded rules to follow. these are some other examples
Giacomo Balla; 'abstracted speed and sound' (1913-14)
'The street enters the house' Umberto Boccioni 1911
'Nose Dive into the city' ; Tullio Crali 1939
Designers also started to revolutionise their work to adapt to the futurist ideals. An important artist which was a key role in editorial design was "Fortunato Depero". He was a talented painter, stage designer, illustrator, artist, and writer who played a key role in advancing the uses of typography.
In terms of typography, Futurist broke the symmetry and tradition of the printed page by making use of multiple colours, typefaces, and text orientations. Depero made us of such elements in his work especially the use of different coloured inks and numerous typefaces. This can be seen in 2 of his most important work which are, the book 'Depero Futurista' (1927) considered the first object-book and in advertising the 'Vouge' magazine covers ( 1929-30).
Futurist paintings
Luigi Russolo; 'Revolt' (1913) |
This new manifesto lead to a change in Art and the artist, being painters, sculpture and architecture fields at the time focused on portraying this new technological ethos. The main aspect of their art was to capture the dynamic energy of movement and speed.
In the painting above we can see an example of a famous futurist artist work, Luigi Rossolo. In his work he portrays a crowd of people revolting. This can be interpreted as a literal description of the futurist ideology i.e. the social uprising against old social and cultural norm.
The painting is set in an urban environment which will be a common scenario and theme in other futurist works which in the above painting is identified by the buildings seen in the image.
Another crucial aspect of the painting above is how the artist divided the picture using sharp and angled diagonal lines which swoop through the image from right to left which conveys a very strong expression of abrupt dynamic movement, speed and energy. These lines convey our attention towards the gang of people portrayed in an stylised fashion which the artist placed in a spear head formation which evokes the notion of a charging unstoppable force.
The colours used in the painting serve as a sybols. the raging people are portrayed in a bold red which conveys power and danger contrasted with bold yellows and greens stripes of colour which compliments the dynamic energy of the crowd. on the other hand the urban scenario of buildings is given a dull and cold colour palette making use of dark blues , greens and dark tonalities which represent the already known social culture. The use of these contrasting colours of bold vibrant colours against dull and dark colours strengthens the overall subject of the futurist ideology against the past.
These characteristics are a common practice which were present in other futurist works and were regarded rules to follow. these are some other examples
Giacomo Balla; 'abstracted speed and sound' (1913-14) |
'The street enters the house' Umberto Boccioni 1911 |
'Nose Dive into the city' ; Tullio Crali 1939 |
No comments:
Post a Comment